![]() ![]() The latter is demonstrated in Frantisek Langer's short story „Susanna and the elders“ (1921) where the explicit quotation as well as latent presence of the eponymic pictorial model functions both as a plot scenario and as an interpretive matrix. Adding further examples from John Fowles's fiction they aim at distinguishing between singular (illustrative) and structural use of pictorial model. ![]() Adopting the notion of pictorial model as introduced by Tamar Yacobi the authors revisit and explicate her analysis of its employment in Nabokov's short story “Spring in Fialta” (1936) to demonstrate its interpretive potential. The focus is on such cases, where individual components of story comply with the general conditions of narrative structure and particular requirements of the plot, while representing a verbal form (or linguistic update) of a pictorial model, which often reflects a typical cultural scheme of the period concerned. literature and narrative fiction in particular. Following the path of research inquiring into the mutual relations of fine arts and literature, our intention is to investigate the alternatives of transferring certain ready-made structures from one media representation to another one, as well as the strategies of its adaptation to the capacity of the media taking over the new structure, i.e.
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